REVIEW: Jim Marshall’s JCM2000 TSL100: The Misunderstood Masterpiece of Tube Tone

Jim Marshall

When you think of Marshall Amplification, you think of Jim Marshall—the "Father of Loud," whose vision gave us the iconic stacks that defined rock ‘n’ roll. From the JTM45 that powered the British Invasion to the JCM800 that roared through the ‘80s, Jim’s legacy is synonymous with pure, tube-driven tone. In 1997, under his watchful eye, Marshall released the JCM2000 TSL100, a 100-watt, all-tube amplifier that marked a triumphant return to the company’s valve roots. Yet, this amp remains one of the most misunderstood in Marshall’s storied catalog—criticized by some players but cherished by those who uncover its magic. 

REVIEW SONICAKE LEVITATE: Bargain Digital Delay/Echo and Reverb in a guitar pedal

Today we’re checking out the “Levitate” guitar-stompbox from Sonicake. This single, compact pedal, puts two of my all time favorite effects together in one low priced bundle. For $56, can this possibly be any good?

REVIEW MXR X100 ROCKMAN REISSUE, IN A GUITAR PEDAL: Does it Rock?

The original Rockman X100 captured the unique guitar tones Tom Scholz brought to the band called Boston. Riding on the wake of popularity caused by the Sony Walkman, the Rockman was a compact, battery powered appliance that could be used with an included set of headphones to provide a wide range of guitar tones. Using a mini TRS splitter cable you could get the headphone sound out of the Rockman and into your recordings, many artists used this technique to record hit tunes that did not sound like Boston, thus making the Rockman a real tool for the masses. Those plucky Dunlop engineers in their MXR lab have now reconstituted the Rockman tone and packed it into a stomp box the same size as an original Phase 90. I’ve had the new one in my hands for a couple of months, how did they do? Is it good?

REVIEW AUDIOSCAPE OPTO COMPRESSOR: A hand-built, modern tribute to the LA-2A

For vintage gear enthusiasts, the Teletronix LA-2A optical limiter remains a studio legend, and its magic lies in a quirky component: the electroluminescent panel inside the T4 optical attenuator. This glowing heart of the LA-2A isn’t your typical light bulb—it’s a retro luminescent panel that pulses with the audio signal’s intensity. As the input signal surges, the panel lights up, casting its glow on a cadmium-sulfide photocell, which adjusts resistance to smoothly tame the signal’s gain. This interplay delivers the LA-2A’s iconic warm, musical compression, beloved on vocals and beyond. It’s a shining example of 1960s tech still stealing the show in modern mixes and it’s so important that AudioScape MAKES THEIR OWN!

TRIBUTE TO RUPERT NEVE: Father of the modern mixing console

 Rupert Neve and the Rise of Neve Electronics: A Sonic Revolution (1961–1975)

In the annals of audio engineering, few names resonate as profoundly as Rupert Neve. A visionary British-American engineer, Neve’s innovations in analog recording equipment transformed the music industry, setting standards that remain revered decades later. From humble beginnings in his garage to building a global enterprise, Neve’s journey with Neve Electronics from 1961 to its sale in 1975 is a story of ingenuity, perseverance, and an unrelenting pursuit of sonic excellence.

REVIEW EURORACK PATCH-CABLE ADAPTOR: 1/8th to 1/4", unlocks effects pedals

BARGAIN STUDIO HACKS

Eurorack uses 1/8" jacks and plugs, guitar effect pedals use 1/4" jacks and plugs, what's a musician to do?

RIP BRIAN WILSON: Creator of The Beach Boys

A musical innovator has left us, Brian Wilson has passed away. The leader of "The Beach Boys" and a recording innovator -- there is no other way to describe him -- he and his brothers delivered a unique spirit and sound. My earliest recollection of the group was around 1964 when my older brother's band was rehearsing in the basement, they were attempting to do Beach Boys tunes and intermittently playing the records for reference.

RIP BEYERDYNAMIC SOLD! Classic German Microphone Company cashes out

RIP BEYERDYNAMIC

I have had a longterm, ongoing affair with Beyer microphone and headphone products, from the old handheld ribbon vocal mic designs to the classic M88, and even a wild fling with an MC740 back in 1987-88, all the way to their ultra-comfortable headphones. It is with a deep and profound feeling of sadness that I'm reporting that BeyerDynamic, has been sold to a Chinese holding company for 122-million Euros. With so much history and I.P. this sale price seems mighty low. 

REVIEW BEHRINGER TORO SYNTHESIZER: The Beast of Bass Returns

Requires 70 HP Eurorack mounting space

For creators, synth enthusiasts and recording artists chasing that iconic, floor-rumbling bass sound, the Behringer Toro Analog Bass Synthesizer is a compelling option that delivers the real, vintage, vibes. As a faithful recreation of the legendary Moog Taurus Revision 1, the Toro aims to capture the essence of the 1970s prog-rock bass tones made famous by bands like Rush, Genesis, and Yes. I’ve been waiting a while to buy this because they usually go down in price after they’re out in the market place. Toro is a desktop Eurorack style skiff, playing home to one of the most iconic bass synthesizers ever. How did they do?

REVIEW BEHRINGER SOLINA STRING ENSEMBLE: Classic String Machine Rebirth

Requires 70 HP Eurorack mounting space

Behringer Solina String Ensemble is a modern revival of 1974’s iconic ARP String Ensemble, which itself was a rebadged product by Eminent Organ company in The Netherlands. The string ensemble was a staple of 1970s music that colored tracks by Pink Floyd, Elton John, and Jean-Michel Jarre with its lush, dreamy strings. As a compact, analog recreation, this Eurorack-compatible module promises to deliver that vintage vibe at a fraction of the cost and weight of the original. The original was WAY out of my price range but this one is right in the sweet spot — but there’s that same old nagging question, is it good?

REVIEW BEHRINGER PRO-1 SYNTHESIZER: Desktop, Eurorack and Rack-mount Marvel?

Requires 70 HP Eurorack mounting space

As a synth enthusiast who’s spent countless hours tweaking knobs and chasing vintage tones, I was eager to dive into the Behringer PRO-1, a modern tribute to the legendary Sequential Circuits Pro-One from 1981. Priced under $300, this semi-modular analog synthesizer promises classic sounds with a nod to contemporary versatility. I’ve spent a few weeks exploring this little hardware synth to hear if it deserves a spot in my regular setup. In my experience, it’s versatile, it’s easy to adjust, it sounds vintage, but is it good?

REVIEW BEHRINGER PRO-800 SYNTHESIZER: A Modern Music Making Powerhouse

Requires 80 HP Eurorack mounting space

The Behringer Pro-800 has been making waves in the synth community since its release, promising an affordable take on the iconic Sequential Circuits Prophet-600 with modern enhancements. As a polyphonic analog synthesizer priced around $400, it’s hard not to be intrigued by the prospect of owning an 8-voice beast that channels vintage vibes without breaking the bank. After some serious quality time with the Pro-800, comparing it to my personal Prophet 6 keyboard, this modern reproduction makes that big Dave Smith synth sound, even though he had nothing to do with the creation of the Pro-800. Is it good?

REVIEW ARTURIA KEYSTEP 32 KEYBOARD MIDI SOFTWARE CONTROLLER: It's little but is it good?

As a music producer constantly juggling hardware synths, modular rigs, and DAW-based workflows, I’m always on the hunt for compact gear that bridges the gap between analog and digital without breaking the bank. The Arturia KeyStep 32-Key Controller & Sequencer has been on my radar for a while, and after spending time with it in my studio, I can answer the question, is it good?

REVIEW LITTLE LABS MONOTOR HEADPHONE AMP: The Audio Grail, Sound Purity, for a price

The Little Labs Monotor was not on my radar, my Sweetwater Sales Engineer (Jim S.) put me on to this boutique jewel, made in California. I have Sennheiser HD600 and HD650 headphones in my collection, I typically prefer the HD600 for their clarity but the impedance and load presented by either of these headphones can be challenging for many pieces of gear. In a rare fit of acceptance I said YES and ordered the Monotor without even thinking about the price. Ouch, this little box is not inexpensive but is it worth the price?

REVIEW DIYRE PR502: DIY 2-Slot 500-Series Chassis

The PR502 is a kit, you buy it at DIYRE (on the web) and you get everything you need to build this 2-slot, 500-Series rack (it's below the bright red QuantAsylum analyzer system), which can be used on its own or add the $15 rack ears and it becomes a 1u rack mount package. The external line-lump switching power supply is capable of powering multiple PR502. Is it hard to put together? Is it good?

HOW DO YOU FIND ELECTRONIC NOISE IN STUDIO? Listen to it

Tone Generator Kit

Got hum or noise in your studio and need to track it down? You can listen for it with an inexpensive tool, which is currently under $30 on Amazon, that low price gets this valuable tool into our fun category of Bargain Studio Hacks. Not only can it point you to high output sources of induced noise, it can also be invaluable for tracing wires and cables. An almost identical version of this kit cost over $200 back in the 90’s but now cheap, functional equivalent, clones, are invading the world. What is this tool? Is it good?

REVIEW FREDENSTEIN ARTISTIC COMP SE: Inexpensive 500-Series Compressor

SEE IMPORTANT UPDATE AT END OF REVIEW

Bargain Priced Fredenstein Artistic Comp SE in Bento 2 Rack

If you look at 500-series module pricing, it’s outrageous how expensive the majority of modules are. What’s a musician with a limited budget to do? Fredenstein rescues bargain hunters, they offer one of the lowest cost 500-series compressor modules on the market. We tested it in the High on Technology studio using a Fredenstein Bento2 chassis. (< full review on H.o.T.). This FET based compressor has got some serious moves and a lot of powerful controls for that low price, plus, it’s got parallel compression. But is it good? 

REVIEW FREDENSTEIN ARTISTIC MIC PREAMP SE 500-SERIES: Bargain or Nightmare?

SEE IMPORTANT UPDATE AT END OF REVIEW

The Fredenstein Artistic MicPre SE is a compelling 500-series microphone preamp that delivers professional features and solid performance. I tested it using a Shure SM7B microphone which requires a lot of gain. Despite some quirks with the Bento 2 chassis, the Artistic MicPre SE proved its worth across various recording scenarios, though my unit had an issue that required a replacement.

REVIEW AUDIOSCAPE EQP-A, VINTAGE PULTEC-STYLE VACUUM TUBE EQUALIZER

I’ve had this pair of AudioScape EQP-A in the studio for just over a year now and they’ve been used on various individual tracks during mixing and on the stereo buss -- trying to hear if they are capable of improving my mixes -- better than other options? I’ve compared them with several plugin recreations and against other affordably priced hardware which is available through retail stores, rather than — Factory-Direct — all products from AudioScape are sold direct and are not available in stores. These equalizers are hand built in Daytona, Florida, but are they Good?

REVIEW MIDAS L10 500-SERIES 10-SLOT CHASSIS: Is it noisy?

I was previously prejudiced against these Midas 500-series racks by things other people said. A friend told me I should revisit them and she was right, the fit of modules in the slots is perfect, same as my API VPR racks (< reviewed here on H.o.T.). But what about noise from that inbuilt power supply, isn’t that a problem on these Midas (built by Music Tribe, aka Behringer) chassis?

REVIEW BEHRINGER RX1602 LINE MIXER: Versatile Analog and Utility Mixer

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I first discovered the 1602 line mixer back around 2007, I bought three used ones off eBay for $75 (for all three :-) and was amazed how good they sounded — they were from a TV station in Boston and these pieces had years of 24/7 runtime on them when I got them — are they good?

REVIEW SPACE SAVING RIGHT ANGLE XLR ADAPTOR - Bargain Studio Hack

Sometimes you just need a right angle XLR — maybe due to space limitations like trying to mic a snare drum or setup a weird stereo microphone configuration. It’s tough maintaining a lot of adaptor cables and that is where this handy little adaptor comes in. Do they really work reliably?

REVIEW RADIAL KNURLED KNOB THUMB SCREW REPLACEMENT FOR 500-SERIES 4-40 x 3/8"

If you have ever struggled with mounting 500 Series modules, or had trouble finding the right screws to mount modules, you’ll love these pricey little jewels.

IS YOUR SHURE SM7B MICROPHONE A FAKE? : Studios, Artists and Podcasters Beware!

While browsing eBay for gear to review on H.o.T., I stumbled across a disturbing trend: a flood of counterfeit microphones, FAKES, including Shure and Neumann models, sold at a fraction of their retail value. These fakes, shipped from China and often bypassing customs, mimic the branding, packaging, and appearance of the originals. Intrigued and skeptical, I purchased a "new" (FAKE) Shure SM7B for less than a quarter of its $439 price at Sweetwater to investigate what is going on. What I discovered was shocking.

REVIEW WHAT'S THE BEST PODCAST MICROPHONE: Shure SM7B, MV7X, EV RE20, Warm Audio WA-44

Podcasting has exploded, turning living rooms into studios and voices into livelihoods. With the right microphone, anyone can sound like a pro, whether riffing on niche topics or mainstream trends. But with so many options, which mic should you choose? I’ve tested four top contenders—Shure SM7B, Electro-Voice RE20, Shure MV7X, and Warm Audio WA-44—to help you find the perfect fit for your podcast. Let’s dive into what makes these mics stand out, from sound quality to setup considerations.

BEHRINGER VS SSL DAW SHOWDOWN: U-Phoria UMC1820 vs SSL 2+, same price

Podcasters, content creators and recording musicians all need reliable good sounding DAW interfaces, so we’re pitting Behringer — known for their extreme low prices — against SSL, a pricey brand known for their large, expensive, mixing consoles. Both of them use surface-mount construction, both of them have design engineers in the UK, and both products are entirely made in China. Is one noticeably better than the other?

REVIEW WARM AUDIO WA-84 MICROPHONE: Specialized Small Diaphragm, Now in Omni

My experience with vintage Neumann KM84 microphones began when a drummer friend lent me a pair alongside his maple Ludwig kit. For years, I tested them against my AKG C414 BULS, Neumann U87ai, and a Peluso 47LE with a vintage Telefunken tube. The KM84s were bright but lacked the “rich” tone I expected (and wanted). On acoustic guitar, the C414 BULS outperformed them with a fuller, meatier sound—surprising for a mic not typically known for warmth. The KM84s were in good condition, and I enjoyed experimenting with them across various instruments, but I eventually returned them long before Warm Audio released their WA-84, a modern take on the KM84’s small-diaphragm condenser design. So how did Warm Audio do with this recreation?

WHAT IS MICROPHONE OUTPUT IMPEDANCE: Why does it matter?

Mic Output Impedance, the Unsung Hero of Audio Clarity

In the world of audio engineering, microphone output impedance might not grab headlines like frequency response or polar patterns, but it’s a critical factor that shapes how a microphone performs in the real world. This often-overlooked specification—measured in ohms (Ω)—determines how effectively a mic’s signal travels to a preamp or mixer, influencing noise, signal strength, and overall sound quality. Whether you’re tracking vocals in a studio or reinforcing sound on a festival stage, understanding why impedance matters can mean the difference between a clean recording and a frustrating mess.

IS THE 500-SERIES PLATFORM DYING?

For years, the API 500-series format was the darling of audio engineers, with new modules popping up like studio monitors at a gear expo. Preamps, EQs, compressors—everywhere you looked, another 500-series gadget promised to elevate your recordings. But the tide seems to be turning. Are software plugins stealing the spotlight? Are pricey, proprietary hardware racks losing their appeal? Is the 500-series platform doomed? Let’s unpack the trends and see if the format’s days are numbered.

REVIEW WARM AUDIO WA12-500 MKII: A Punchy, Vibey 500-Series Preamp with API Roots

Warm Audio’s WA12-500 MKII is a 500-series microphone preamplifier that channels the spirit of the legendary API 312 and 512 preamps while carving its own path with modern upgrades and an accessible price point. Inspired by the bold, punchy character of those classic API designs, the WA12-500 MKII delivers a transformer-coupled, discrete signal path that infuses recordings with warmth, depth, and vibrance. The MKII iteration builds on the original’s strengths, most notably with the addition of a master output level control—a feature that elevates its versatility. While it’s not a direct clone of the API 312 or 512, it captures their essence, making it a compelling choice for engineers seeking that American console sound without breaking the bank.

REVIEW BEHRINGER 73 500 SERIES MICROPHONE PREAMP: It's real, it's here, lets go inside!

It is finally here, I paid the full price to be an early adopter and find out if this product lives up to the hype. The Behringer 73 is one of the most highly anticipated -- 500 series -- mic preamp  modules EVER, but, is it good?

REVIEW FREDENSTEIN BENTO 2: Powered Rack 1RU 500-Series with Caveats for Neve 1073LB

The Fredenstein Bento 2 is a compact, 2-slot 500-series rack designed to house API VPR Alliance-compatible modules, offering a budget-friendly solution for home and project studios. With its robust build, versatile features, and competitive price, the Bento 2 appears to punch WAY above its weight but there is a problem in there, lurking and waiting to "whine". Here’s a detailed review covering its quality, features, likes, dislikes, price, warranty, and more.

THE ORIGIN OF API AUDIO AND THE 500 SERIES FORMAT

Modern 10- Slot API 500-series rack, click to enlarge

In the late 1960s, Automated Processes, Inc. (API), founded by Saul Walker and Lou Lindauer, emerged as a pivotal force in professional audio, driven by a mission to craft high-quality gear for recording studios. API’s early innovations, including modular console designs, laid the groundwork for what would become the iconic 500 series format. This standardized, modular system revolutionized audio processing by offering engineers flexibility, portability, and exceptional sound quality.

REVIEW SHURE SM33 RIBBON MICROPHONE: A Ribbon Mic by Shure?

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The Shure SM33 ribbon microphone stands as a testament to the golden era of ribbon microphone technology, blending vintage charm with practical functionality. Known for its warm, smooth sound and rugged design, the SM33 carved a niche in broadcasting and recording studios during its time. Often referred to as the “Johnny Carson mic” due to its prominent use on The Tonight Show, this microphone remains a collector’s gem and a functional tool for those seeking a classic ribbon sound. 

REVIEW SHURE 55SH SERIES II VOCAL MICROPHONE: A Sonic Titan of Sound

Click to Enlarge

I remember seeing microphones like these on the school stage when I was in the sixth grade (1964). The Shure 55SH Series II is a microphone that doesn’t just capture sound—it commands attention. With its unmistakable retro aesthetic and modernized performance, this mic is a bridge between the golden age of broadcasting and today’s demanding live and studio environments. Known as the “Elvis mic” for its iconic look and storied history, the 55SH Series II remains a standout choice for vocalists, podcasters, and performers who want to make a visual and sonic statement. In this review, we’ll dive into why it continues to shine as a titan in the microphone world.

REVIEW AKG C414 LDC MICROPHONE: The Legacy and Evolution

My first two C414B-ULS, Click to enlarge

The AKG C414 is a legendary large-diaphragm condenser microphone, renowned for its versatility, clarity, and presence in studios worldwide since its introduction in 1971. With a lineage tracing back to the iconic C12, the C414 series has evolved through numerous iterations, each leaving a distinct mark on recording history. This review covers the microphone’s history, key models (with special focus on pre-414B-ULS and the 414B-ULS), post-B-ULS models, transformer vs. transformerless designs, directional pickup patterns, frequency responses, and reflections on its legacy, including user sentiments and the shift to Chinese manufacturing under Samsung’s ownership of Harman. The 414B-ULS was the first large diaphragm microphone I ever owned, I've still got it along with three others I bought because I liked the first one so much. Let's dig into this and see what makes this mic epic.

REVIEW WARM AUDIO WA-CX12 LDC TUBE MICROPHONE: Modern Tribute to classic AKG C12

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The Warm Audio WA-CX12 is a large-diaphragm tube condenser microphone designed to capture the essence of the legendary AKG C12, a studio icon from the 1950s. Warm Audio, known for recreating vintage gear at accessible prices, released the WA-CX12 in May 2022, offering a blend of classic sound and modern craftsmanship for recording enthusiasts and professionals alike. Priced around $999, it’s a compelling option for those seeking the C12’s signature tone without the astronomical cost of an original. Here’s a deep dive into the WA-CX12, its specs, its inspiration, and its place in today’s studios.

REVIEW SHURE SM-7B MICROPHONE: A Legacy of Great Sound

UPDATE: Thinking about buying an SM7B? Check our story about Fake SM7B here on H.o.T.

Few microphones have achieved the legendary status of the Shure SM7B. Its rich, warm sound and versatile design have made it a staple in radio booths, recording studios, and podcasting setups worldwide. From its origins in broadcasting to its resurgence in the digital age, the SM7B’s journey is one of innovation, adaptability, and enduring appeal. Let’s dive into the story of this iconic microphone, exploring its history, technical prowess, and why it remains a favorite among audio professionals and enthusiasts alike.

REVIEW MXL 2001 LDC MICROPHONE: A Budget Contender with Neumann Roots

The MXL 2001 holds a special place in the world of audio recording as one of the first affordable large-diaphragm condenser (LDC) microphones to challenge the dominance of high-end models. Introduced by Marshall Electronics under its MXL brand, the 2001 brought professional-grade features to home studios and project spaces, offering a compelling blend of quality and value. With its cardioid polar pattern, transformer-coupled output, and a physical design that echoes the form of legendary Neumann models, the MXL 2001 remains a noteworthy option for vocalists, instrumentalists, and podcasters. Let’s dive into its design, specifications, and origins to understand why this microphone continues to resonate with budget-conscious creators.

REVIEW ELECTRO-VOICE RE20 MICROPHONE: A Timeless Icon in Audio Excellence

Since its debut in 1968, the Electro-Voice RE20 has carved out a legendary status in the world of microphones, blending innovative design with unparalleled performance. Its distinctive appearance—robust, cylindrical, and utilitarian—isn’t just for show; it’s a critical component of its audio prowess. This dynamic cardioid microphone has become a staple in broadcasting, music production, and sound engineering, proving that form and function can harmonize beautifully.

REVIEW SENNHEISER MD 421 MICROPHONE: The Mythic Workhorse of Sound

Sennheiser MD 421 Microphone and mount

In the pantheon of microphones, the Sennheiser MD 421 holds a near-mythic status. It’s an icon, a staple in studios and stages worldwide, revered for its ability to capture the soul of drums, guitars, and beyond. With its distinctive clip-on mount—both a studio blessing and a live sound liability—the MD 421 ranges from essential to legendary, depending on who’s wielding it. Compact, durable, affordable, and gifted with a tone that elevates any source, the MD 421 has carved out a legacy that few can rival. Let’s explore its history, technical prowess, and enduring appeal, while unpacking why Sennheiser remains a titan despite fierce competition.

REVIEW SHURE SM-57 MICROPHONE: The indestructible Icon of Sound

SM-57, THE KING!

In the world of microphones, few names carry the weight of the Shure SM-57. It’s a paradox: a humble workhorse revered as royalty, a tool that’s both at the bottom of the gear bag and the top of the industry’s must-have list. Compact, reliable, affordable, and blessed with a tone that flatters nearly everything it captures, the SM-57 has earned its place as a cornerstone of live sound and recording. Let’s dive into its storied history, technical brilliance, and enduring legacy, while addressing its sibling, the SM-58, and why Shure remains unmatched despite a sea of imitators.

REVIEW SHURE SM-58 MICROPHONE: The Undisputed Champion of Live Sound

The Shure SM-58 is more than just a microphone—it’s a cultural icon, a symbol of reliability, and a cornerstone of live audio. Since its introduction, it has become the industry standard for vocal performance, trusted by musicians, engineers, and speakers worldwide. With its distinctive spherical grille and rugged construction, the SM-58 has left an indelible mark on the world of sound reinforcement. Let’s explore its history, technical brilliance, and the reasons it remains a legend.

REVIEW BEYERDYNAMIC M 88 DYNAMIC MICROPHONE: A Timeless Workhorse in Audio Engineering

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Since its debut in 1962, the Beyerdynamic M88 has carved out a legendary status in the world of professional audio. Born in the workshops of Heilbronn, Germany, this dynamic moving-coil microphone was initially designed for recording speech, but its versatility and robust performance quickly made it a favorite across a wide range of applications. From vocals to kick drums, the M88 has been a trusted tool for engineers and artists alike, blending technical precision with a distinctive sonic character that continues to resonate more than six decades later.

VINTAGE MICROPHONE CHARM: Exploring Frequency Response and the Allure of "Warmth"

When it comes to recording, the term "vintage" carries a certain mystique. Vintage microphones, often prized for their "warm" or "smooth" sound, have a reputation that modern budget clones struggle to replicate. A key factor in this sonic character lies in their frequency response—particularly how they handle high frequencies. While modern condenser microphones boast extended ranges reaching up to 20kHz or beyond, vintage models frequently exhibit a "rolled off" high-end that many listeners perceive as more pleasing, natural, or simply "better." This article dives into the interplay between microphone frequency response, the human voice, and the engineering choices that shape our perception of sound quality.

REVIEW WARM AUDIO WA-44 VINTAGE STYLE RIBBON MICROPHONE

A look inside the amazing Warm Audio WA-44

Warm Audio has once again delivered a piece of gear that punches well above its weight class with the WA-44, a ribbon microphone that pays homage to the legendary RCA ribbon mics of yesteryear. You might be able to do better if you spend a whole lot more. Let's see why this studio weapon is so sweet!

REVEIW BEHRINGER SYNCUSSION SYNTH, MODERN SOUND FOR BEATS AND EURORACK

 Behringer Syncussion Review: A Modern Twist on a Vintage Classic

Behringer’s Syncussion is a fascinating piece of gear that draws its inspiration from the past while carving out its own niche in the modern music production landscape. The original spark for this machine comes from the Pearl SY-1 Syncussion, a rare and quirky electronic drum synthesizer from the late 1970s that became a cult favorite for its unique, punchy tones. Behringer has taken that vintage spirit and reimagined it with contemporary flair, delivering a compact, affordable unit that bridges the gap between retro vibes and today’s modular workflows. Does it deliver value and performance? Lets unpack this:

REMEMBERING ROGER NICHOLS, A TRIBUTE TO THE ORIGINAL GEAR SLUT

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In the pantheon of audio engineering legends, few shine as brightly—or as irreverently—as Roger Nichols. Before Gearspace, before Gearslutz became the online mecca for equipment obsessives, Nichols was penning his wit and wisdom in the back pages of EQ magazine, a now-defunct publication that once served as a lifeline for studio rats and gearheads. His column, Across the Board, which ran from 1989 to 2002, wasn’t just a technical digest; it was a masterclass in curiosity, humor, and an unapologetic love for the tools of the trade. Nichols didn’t just use gear—he lusted after it, proudly dubbing himself a "gear slut" in an era when the term was still fresh and unbranded. Today, we remember him not just as an engineer for Steely Dan or a producer for John Denver, but as a pioneer whose spirit shaped the way we talk about, and tinker with, the machines that make music.

UNVEILED: HOME RECORDING SECRETS THEY DON'T WANT YOU TO KNOW FOR PRO SOUND

Big studios want you to believe pro sound belongs to them—high-end gear, custom rooms, and an unspoken “you’re not welcome” attitude. They flash thousand-dollar mics and million-dollar booths, hinting your home setup can’t measure up. But here’s the reality: you’ve probably got the tools to match them, right in your own space, and they’ve worked hard to keep that quiet. Whether you’re capturing vocals, laying down drums, tracking guitars, or shaping synths, these “hidden” techniques—mic placement, room tweaks, impulse responses, EQ, compression—are yours to claim. No elite membership required. We’re pulling back the curtain, step-by-step, with the convolution software your DAW already includes—Logic, Reaper, Cubase, Pro Tools—and the stock IRs that deliver standout tone. Ready to take control? Let’s get started.

HOW TO GET KILLER GUITAR TONE WITH IMPULSE RESPONSES, EQ AND EMULATION

Every guitarist knows the struggle: you want that jaw-dropping tone—think Clapton’s creamy Strat or Hetfield’s razor-sharp riffage—but your wallet’s not ready for a vintage amp or a studio full of mics. What if you could nail pro-level guitar tone from your bedroom with just a laptop, some plugins, and a few smart tweaks? Enter impulse responses (IRs), EQ, and emulation—the holy trinity of modern tone crafting. In this guide, we’ll break down how these tools work, why they’re game-changers, and how to use them to get killer guitar tone without selling your soul to the gear gods.

ADVANTAGES OF HAVING A PERSONAL RECORDING STUDIO AT HOME

For artists—whether singers, musicians, or songwriters—having a personal recording studio at home can be a game-changer. It’s not just about convenience; it’s about taking control of your creative process and shaping your sound on your terms. Here are five compelling advantages to setting up your own space and why it’s worth the effort

EXPENSIVE VS BOUTIQUE VS BUDGET PRICED: NAVIGATING THE AUDIO GEAR LANDSCAPE

How much do you have to spend?

The recording studio world is a gear lover’s playground, but it’s also a financial minefield. At the budget end, brands like Warm Audio, PreSonus, and Behringer—along with its extended family of Midas, Klark Teknik, and TC Electronic—promise pro-level performance without the pro-level price. At the top, icons like Neve, Manley, and Apogee set the gold standard for sonic excellence. Somewhere in between, mid-tier giants like Universal Audio and boutique upstarts like AudioScape carve out their own niches. Can lower-priced gear truly rival the elite? How do mid-tier and boutique options fit in? And where should you splurge in your personal studio? Let’s unpack it all, including whether your DAW choice affects the sound.